10 Commits

Include renames

Author	SHA1	Message	Date
nvrl	b8d04d1936	chore: release Anvil 0.4.0, Lathe/Temper/Knurl 0.3.0, Planish/Braze/Ballast/Forge 0.2.0, Crucible/Weld 0.4.0 ... The producer-feedback round: stable note tracking, the NOTE pitch source with Key lock and Follow bends, unsure-means-neutral fallbacks, Anvil's Enhance mode, MAIN and ADVANCED pages, Ballast on Grid by default, and Crucible's sure-note slice names with a song key. Adds docs/pitch.md for the shared pitch source, updates every changed plugin's README and changelog, the release table, the editor previews, the website bullets, and the status in docs/ideas.md.	2026-11-06 21:26:59 +01:00
nvrl	d5bdd3e2c7	fix(website): spell plugin counts above ten in the hero ... PLUGINS grew to 13, past the end of the number-word list, so the count fell back to a number and toUpperCase failed during the static build.	2026-11-06 17:51:19 +01:00
nvrl	9ca4e4f9dd	feat(patina): per-band compressor gain stage with Threshold, Ratio and Knee ... Tester feedback asked for a threshold and a ratio. Each band now cuts like a small compressor: Threshold (dB above the local floor) replaces Selectivity, Ratio scales the cut per dB above it (inf:1 is the old behaviour), and a Soft/Hard knee switch sets the curve. A small graph shows bump height in, cut out. Mix and Output move to the slider panel so the detection panel fits. common-ui gains rotary_text for knobs with custom value text.	2026-11-06 17:29:54 +01:00
nvrl	7b989f7685	feat(forge): add Forge tracked channel strip ... One note tracker reads the input and Lathe, Temper and Knurl follow it as modules, in any of six orders, each on or off. Every module gets the tracker's events delayed by the latency of the modules in front of it. - One module alone matches its standalone plugin sample for sample in every order. - With Knurl's sub-octave pattern in front, Lathe in Forge follows the played note; a standalone Lathe after Knurl reads it an octave low. - About 72 ms latency against about 206 ms for the three in a row. The module pages reuse the standalone editors. Register Forge in the catalog, CI, README, docs and website, and drop the built Ballast from the site's idea list.	2026-11-06 16:30:23 +01:00
nvrl	d93dd942a8	feat(ballast): add Ballast switch-up leveller ... Ballast gives every part of a bassline one gain that brings it to the target loudness, with no compression inside a part. Parts start at note starts, detected from the audio or taken from MIDI, or on the host's beat grid, so a patch change on the same note counts too. - Loudness is K-weighted over each part's first 100 ms, in 10 ms blocks with a relative gate, and every part is weighted from rest so the last part does not ring into it. - The audio path is delayed by the tracker's lookahead, the window and a 5 ms glide, so each gain is in place on its part's first sample. - Learn takes the next part's loudness as the target. Amount, Range, Measure from (leave the sub out), Gate, Output, Bypass. - Editor shows the last 32 parts in and out, the target, and the spread of the last 16 parts. - Registered in the catalog, workflows, editor-check, README, chain and development docs, and the website copy.	2026-11-06 16:05:19 +01:00
nvrl	3d316cbe49	feat(quench): add Quench sub-safe clipper ... Quench splits the signal with a Linkwitz-Riley crossover and lets the sub pass unclipped. The top is clipped symmetrically at the ceiling minus the sub's held peak, so it does not pump at the sub's rate and the sum stays under the ceiling. What the clip removes is high-passed at the split, so its products stay out of the low band. Two correction passes and an oversampled hard clip hold the ceiling; a safety clip catches the downsampler's ringing. - Controls: Drive, Ceiling, Split, Hold, Soft, Bypass. - Listen to Quench, a plain clipper at the same settings, or the delta. - Editor meter compares how much the low band changed for Quench and for a plain clip, with a scope of the output, the sub and the top's room. - Measured: sub level +0.04 dB against -2.2 dB for a plain clip, low-band products -35 dB against -16 dB, at 0.5-1.2 dB less RMS. - Registered in the catalog, workflows, editor-check, README, chain and development docs, and the website copy.	2026-11-06 15:51:36 +01:00
nvrl	330ec54150	feat(braze): add Braze tempo-locked beating ... Adds a detuned copy of the bass whose beating stays on the tempo grid on every note. The chosen harmonic k beats once per Rate note value, and harmonic n beats n/k times as fast, so every harmonic is on the grid. - The copy is read from a delay line whose delay falls one period of the tracked note per beat cycle (r = 1 + B/(k f0)) and jumps back exactly one period, crossfaded over 6 ms. On a periodic note the jump has no seam: the output matches the ideal sum within 0.003 on harmonics 1-4. - The delay follows the host's beat position, shifted by the lookahead, so beat peaks land on the grid; free-running when stopped. - Low cut: LR4 high-pass on the copy, the bass split by the same crossover, so the sub does not beat and keeps its level. - Depth, Width, Phase, Gate, Output, Snap, Bypass. Pitch from audio (about 67 ms lookahead) or MIDI. - Editor: one bar of the beat per harmonic with the grid and a playhead. - Catalog, workflows, editor-check, docs, signal chain and site copy.	2026-11-06 14:02:58 +01:00
nvrl	c06d193b18	feat(planish): add Planish harmonic OTT ... Upward and downward compression in four bands whose edges are harmonic numbers of the tracked note (default 1, 2-4, 5-16, 17 and up), so the same setting squashes the same harmonics on every note. A fixed-band OTT puts harmonic 2 of F1 and of C2 in different bands. - Three Linkwitz-Riley splits at sqrt(k(k+1)) x f0 with allpass compensation; at Depth 0 the bands sum within 0.05 dB. - Band level is the RMS over one period of the note, so heavy settings do not ripple at f0: a 40 Hz sine at Drive +12 dB, Time 10 % gets no harmonics above -110 dB. - At Depth 100 % on a saw, harmonics 1-12 change by the same amount on F1, C2 and G2 (within 0.2 dB). - Depth, Drive (on the detector only), Upward, Downward, Time, a gain per band; edges Low 1-8, Mid 2-16, High 3-48 with four splits. - Pitch from audio with about 67 ms lookahead, or from MIDI. - Editor: harmonic ruler with draggable edges, level and gain per band. - Catalog, workflows, editor-check, docs, signal chain and site copy.	2026-11-06 12:51:49 +01:00
nvrl	444b9d93da	feat!: change CLAP IDs to io.narl.bass-foundry.<product>, release all plugins ... The io.storyboard.* IDs were a leftover from Motif Storyboard and named old functions (motif, sub-anchor, layer-align) instead of the products. Every plugin now uses io.narl.bass-foundry.<product>, and IDs are frozen from here on, even across renames. Hosts see the new IDs as different plugins: delete the old .clap files, rescan, and add the plugins again in existing projects. Rivet session JSON and Patina parameter IDs are unchanged. - Rivet 0.5.0, Patina 0.3.0; Anvil, Crucible, Lathe, Temper, Weld and Knurl 0.2.0. - Docs, changelogs and the release table describe the change. - Website: upgrade note in the Install section.	2026-11-06 11:51:11 +01:00
nvrl	7e1776bb04	feat(website): add the fl.narl.io site ... Astro site for the suite: a home page with the plugin cards, install steps, principles, the metalwork names and the ideas on the bench, one page per plugin, and the Impressum and privacy policy. Plugin names, versions, download links and editor previews come from the catalog, the wrapper manifests and docs/*/assets at build time. Served by unprivileged nginx in Docker behind Traefik on fl.narl.io, the same setup as proton.narl.io: no access logs, CSP 'self', no JavaScript, legal pages filled from the environment at start.	2026-11-06 11:30:12 +01:00