chore: release Anvil 0.4.0, Lathe/Temper/Knurl 0.3.0, Planish/Braze/Ballast/Forge 0.2.0, Crucible/Weld 0.4.0

The producer-feedback round: stable note tracking, the NOTE pitch source with
Key lock and Follow bends, unsure-means-neutral fallbacks, Anvil's Enhance
mode, MAIN and ADVANCED pages, Ballast on Grid by default, and Crucible's
sure-note slice names with a song key.

Adds docs/pitch.md for the shared pitch source, updates every changed
plugin's README and changelog, the release table, the editor previews, the
website bullets, and the status in docs/ideas.md.

docs/braze/CHANGELOG.md

@@ -1,5 +1,17 @@
 # Braze changelog
 
+## 0.2.0
+
+- Add **NOTE** as a pitch source: Braze follows a note you set, and the audio
+  only starts and stops it. Add Key lock and Follow bends for AUDIO detection.
+- Detection holds its notes: a new note needs a steady pitch for 40 ms, octave
+  jumps need 80 ms down and 200 ms up. Growls, wobbles and formant basses no
+  longer flicker between notes. Follow bends brings back the old fast behaviour.
+- When detection is unsure, Braze keeps the detune of the last sure note, and
+  the readout shows **?**.
+- The editor opens on a MAIN page. **ADVANCED** in the header adds Phase, Gate
+  and Snap.
+
 ## 0.1.0
 
 - Introduce Braze, a detuned copy of the bass whose beating stays on the tempo

docs/braze/README.md

@@ -1,6 +1,6 @@
 # Braze
 
-Braze makes a reese's movement play in time. Current version **0.1.0**.
+Braze makes a reese's movement play in time. Current version **0.2.0**.
 
 Two layers detuned against each other beat: harmonic k of a note at f0 swells
 and fades k·f0·(r − 1) times per second, where r is the detune ratio. With a
@@ -19,6 +19,9 @@ redistributed packages.
 
 ## Work with it
 
+The editor opens on the **MAIN** page with Rate, harmonic, Depth, Low cut, Width
+and Output. The **ADVANCED** switch in the header adds Phase, Gate and Snap.
+
 1. Put Braze on a single bass layer: a plain saw, or a reese whose own detune
    you have turned down.
 2. Pick **Rate**: the note value one beat lasts. 1/8 at 140 BPM is 4.67 beats
@@ -29,7 +32,7 @@ redistributed packages.
    quarter triplets.
 4. Set **Depth**. At 100 % the beating goes down to full nulls; 50–70 % keeps
    the note present.
-5. Use **Phase** to move where the beat peaks. At 0° all harmonics peak
+5. On the ADVANCED page, use **Phase** to move where the beat peaks. At 0° all harmonics peak
    together on every beat of the chosen harmonic's cycle.
 
 The display shows one bar: a row per harmonic with the level it gets from the
@@ -47,6 +50,14 @@ Other controls:
 - **Snap to semitone** rounds the detected pitch. Leave it off on detuned or
   bent notes: the copy jumps by one period of the pitch in use.
 
+### Pitch source
+
+**Pitch from** in the header chooses where the note comes from: **AUDIO**
+detects it, **MIDI** follows MIDI notes sent to Braze, and **NOTE** uses a note
+you set. For heavy FM, formant or noise basses, NOTE with the drop's root is the
+safest choice. Key lock and Follow bends tune the detection. While detection is unsure of the note, Braze keeps the detune of the last sure note and the readout shows **?**. See
+[Pitch source](../pitch.md).
+
 ### How the detune is made
 
 The copy is the bass read from a delay line. Its delay falls by one period of
@@ -72,5 +83,5 @@ Noise, chords and the attack of a note are not periodic, so the copy's jumps
 are heard there as a short blur. Before the first note, the copy assumes 55 Hz.
 
 Braze changes the waveform in time, so pitch detection after it can be less
-sure: put tracked plugins before Braze, or use MIDI. See
+sure: put tracked plugins before Braze, or use MIDI or NOTE. See
 [Signal chain](../chain.md).