Release names say what their files are — 2160p, HDR, 10-bit, Dual-Audio —
and nothing showed it. naming::quality reads those words, whatever they
are separated by, and Title::quality keeps what more than half a title's
files state, so one odd special does not mark a show down. The facts line
of a title's page ends with them: 4K, 1080p, HDR, 10-bit, Dual audio.
Release groups' names are never read.
TVDB has no films, so ani.zip has no fanart or logo for one, and most of
the titles in a real library with nothing wide to draw were films. ani.zip
does name the TMDB entry of every AniList match. With a TMDB key stored
and AniList chosen, an entry left without a backdrop or a logo is asked
for /{movie,tv}/{id}/images: one request, by id, so no title name goes to
TMDB. A bare backdrop and a PNG logo in the viewer's language are
preferred, and a failure there only costs the art.
The TMDB key field is now offered with either provider, labelled optional
with AniList. TMDB as the provider fetches its logo the same way, and
backdrops at w1280 rather than w780. A forced run re-enriches hand-picked
titles too, so saving a key and matching everything again reaches them.
Scene releases name the episode in dotted words before their tags:
Game.of.Thrones.S01E01.Winter.Is.Coming.2160p... Read the words up to the
first quality, source or codec tag; a dotted run that no tag ends is not taken.
With AniList chosen, a title AniList has no match for is now searched on
TVmaze, keyless, before it is given up on. One provider for the whole library
left live-action shows in a share of anime unmatched, and switching to TMDB
would have dropped every AniList match, chain and shelf.
The service holds a chain of providers. A match is stored under the provider
that gave it, and enrichment and refreshes go to that provider; a miss is
stored under the last provider asked, and is_fresh only trusts a miss from the
end of the chain, so AniList misses stored before this are asked again at once.
A provider failure still ends the lookup instead of falling through.
The hand matcher searches every provider in the chain and labels each result
with its source. TVmaze is never offered in the settings and is not asked
about titles known to be films.
ani.zip sent each series' TVDB clear logo and every episode's running
time from the start, and neither was kept. Enrichment now stores the logo
in title_metadata.logo_url (kept across a refresh of the same entry, like
the fanart) and episode runtimes in episode_metadata.runtime, TVDB's
first and AniDB's length after it. AniList's duration lands in
TitleDetails::runtime; TMDB episode runtimes are kept too.
Schema v13 adds the two columns and marks AniList titles un-enriched
without deleting anything. TitleDetails::revision lets details written
before runtime existed refetch by id while the old ones stay on screen,
instead of blanking them in the migration as v10 did.
Clear logos are padded to a square, so each client crops them to their
visible pixels before drawing. The logo replaces the name on the
library's banner and the title page (not on a light theme's title page,
where lettering made for dark art can vanish). Episode rows show how long
they run, in place of the file size on Android and iOS; a film's runtime
joins its line of facts.
The header under the episode's numbering showed `Episode::detail`, which
falls back to the file name — `[Judas] Chainsaw Man - S01E01.mkv` on a
phone, where the desktop shows `Dog & Chainsaw`. It now shows the
provider's name for the episode, else the one the file name gave it, and
nothing rather than the file name: the release group's tag is no caption,
and it is what a screenshot of the player would carry away.
The preview drew every font in the app's own Inter, so picking one changed
nothing on screen. On Linux it now asks fontconfig for the face libass would
use — the family with the weight and slant wanted, or fontconfig's fallback
when it is not installed — loads it on a thread of its own and draws the
sample in it. A bold or italic the face lacks is made up, as libass does.
Windows and macOS have no fc-match and keep the app's font, as the hint there
still says.
The CJK fallback and the subtitle face are now both kept, so installing one
no longer drops the other.
mpv's default sub-ass-override, `scale`, hands an ASS track sub-scale,
and sub-pos reaches it under every mode but `no`. So with "Restyle
styled subtitles" off, the subtitle size and position settings still
resized and moved typeset dialogue and signs.
The override is now `yes` when restyling is off, which keeps sub-scale
off ASS. A styled track also ignores the style's position, and moves
only to stay clear of the player's controls. A frame from an ASS track
rendered with every other option changed now matches the untouched one
pixel for pixel. Plain (SRT) tracks still take the whole style.
The subtitle style was three fixed choices. It is now size, position,
font, bold and italic, free colours with opacity for the text, outline,
box and shadow, outline thickness, shadow distance and blur, and an
opt-in "Restyle styled subtitles" that repaints ASS dialogue too
(sub-ass-override=force). The defaults are mpv's own, so a viewer who
never opens the section sees no change.
Settings has a section of its own with a sample line drawn on a bright
and a dark picture. Every change also reaches the playing file at once,
and is written when the mouse is let go rather than once per frame of a
drag. The player's subtitle menu has size, position and a per-file
delay; Z and X shift subtitles by 0.1 s, as in mpv.
Every option is sent every time, so a change back to a default lands on
a live player. A refused sub-border-style still skips the border options
that depend on it, so an older libmpv loses the box rather than drawing
a smear.
The four Rebuild of Evangelion films in one folder were one series:
`- 1.11` read as episode 1, and every file took the folder's name, so
the whole folder matched a single film. A dash followed by a decimal is
now part of the film's name, and a folder whose files are all
unnumbered, outside any grouping folder and each named differently
gives each file its own title.
AniList needs every query word in a title, and a film's version number
is not in it, so a search that finds nothing is retried without it.
All four films now match their own entries.
Plain-text subtitles (SRT) were drawn in mpv's bare default, thin white
text that bright scenes swallow. Settings → Playback now picks a size,
an outline or a dark box, and white or yellow text. Styled (ASS) tracks
keep their own look and take only the size.
The box options are mpv 0.38's, so they are set best effort: an older
libmpv logs and plays on. The style syncs with the other playback
settings, and the Android bridge keeps the stored style instead of
resetting it on save.
The mark's box centred on x=73 of the 64-centred tile, so it sat visibly
right. It now centres x=70, between its box and its centroid, as the
Android and iOS icons already do. icon-256.png and the Windows .ico are
rendered again from the SVG.
The README still described an early, public-links-only app. It now
shows the desktop and Android apps, lists what each release ships per
platform, covers sign-in, Drive folders, sync, downloads, Android TV and
dialogue-first subtitles, and points at the wiki for the details.
docs/ gains pages for people using the app rather than building it:
getting started, installation, the user guide, account and sync,
Android and iOS, the command line, privacy, an FAQ and troubleshooting.
docs/README.md is the wiki's home page.
scripts/publish-wiki.sh, ported from proton-drive-linux, checks every
link in docs/ and README.md, rewrites links between pages to wiki page
names and copies the images they show. The Wiki workflow runs the check
on pull requests and publishes on every push to main.
images/ holds library, title and episode screenshots from the desktop
and Android apps, and the logo.
Adapt sign-in to the 0.8 account API and use what it adds:
- Key passphrases are KeyPassphrases now, wiped on drop. The stored
session keeps its JSON shape and converts on unlock.
- The mailbox password is checked with AccountClient::unlock(), one
core/v4/users request instead of loading every address, and a wrong
one is recognised as ProtonError::KeysLocked instead of any
InvalidOperation.
- KeysLocked from a resumed session counts as signed out: the mailbox
password changed, and only signing in again derives passphrases that
unlock the keys.
- A sign-in Proton answers with code 2028 (Blocked) says so, instead of
showing the server text that claims the app version is outdated.
Also picked up without code changes: a token refresh that outlives its
caller and is never replayed (0.8.2).
Anime releases often carry two subtitle tracks in one language, the
dialogue and a "Signs & Songs" track, and the second is as often as not
the one marked default or forced. mpv, picking by language, played it.
pstr_core::subtitles reads a track's name and forced flag for whether it
is the dialogue, and every client asks it once per file, after mpv has
made its own pick, whether to switch to a track in the same language
that is. A subtitle track the viewer chose by name stays, and subtitles
that are off stay off.
MPVKit's MoltenVK context reads the layer's drawableSize only when mpv
builds its video output and reports no resize after that (mpvkit/MPVKit#3).
A player opened upright and turned on its side went on drawing the upright
frame into a corner of the landscape drawable. The view now tells the
player when its drawable changes, and once the size settles the player
rebuilds mpv's output by turning the picture off and on, as the background
already does. The vid writes run in order off the main thread.
fc-match reports a variable font's named instance in the high 16 bits of
%{index}. Fedora's variable Noto Sans CJK answered 262144, egui read that
as a face index, and panicked on the font it could not parse. Keep only
the face, and parse the fallback with skrifa first so a font egui cannot
read is left out instead.
Fixes#1
The app is listed in the TV launcher with a banner, and neither a touch
screen nor leanback is required. While the controls are down the player
takes D-pad left and right as a ten-second seek, the middle button as
bringing the controls up, and play/pause and space as they say.
A BGProcessingTask runs the same crawl_for_news no sooner than every six
hours, when iOS chooses. A processing task rather than an app refresh,
since a crawl of a large share does not fit in thirty seconds.
NewEpisodesWorker runs crawl_for_news every six hours on a network with
the battery not low, and posts one notification per show, grouped. A
setting under Playback turns it off and cancels the schedule.
crawl_for_news crawls the shares due a look that were crawled here
before, and returns per title how many files first appeared during it and
the first of them. A share crawled for the first time is left out, since
every file in it is new.
The bridge's open_subtitles opens and publishes them and names the one to
turn on. The native player holds them until mpv has the episode loaded,
adds them with sub-add, and releases them instead when another episode
was loaded in the meantime.
A crawl now keeps .srt/.ass/.ssa/.vtt files and pairs each with a video by
name: the video's name followed by a dot or nothing, the same inside a
Subs folder, the Subs/<video>/ layout, and failing those the only video in
the folder. The words past the video's name give the language and the
picker's title. They go in a new sidecars table (schema v12), rebuilt by
every crawl.
The desktop opens them while mpv opens the video and adds them with
sub-add through the stream registry once the file has loaded. One in the
preferred language is turned on when subtitles are on and the file has
none of its own playing; the rest wait in the subtitle menu.
A transport failure's text is reqwest's "error sending request for url
(…)", and the cause sits further down its source chain. Error::describe
appends the causes and drops the URL, so the reason fits on a share row.
A crawl is hundreds of listings and the first failure ended it. The SDK
replays a timeout or a refused connection, not a request whose connection
dropped, which is what a phone sees after the OS tears down its sockets or
hands over between networks. A listing is read-only, so the crawl retries
it after 1, 3 and 9 seconds.
NativeRuntime.engine() is async and throws on iOS, so the bare call in
stopCrawl failed the simulator build. Run it in a Task, as Android runs
it in a coroutine.
- RemoteArtwork takes the edge it is drawn at; library tiles decode
their posters at that size rather than at 1024 pixels, sampled down
and then scaled so a poster never lands under its tile. The decoded
cache's ceiling rises from 32 to 64 MiB, so a grid scrolled back over
is still decoded.
- The title page decodes its download records on the IO dispatcher.
WorkManager reports progress several times a second while a season
downloads, and each report re-read every record on the main thread.
- The settings file is loaded on a background thread at startup, so the
playback service's start callback no longer reads it from disk on the
main thread (B41).
A poster's artwork carried the title's name and so did the text under
it, so a screen reader said the name twice. The artwork is now left out
where the text names it, and a folded franchise tile says how many more
it stands for. The long press that opens a tile's menu is offered as an
action, labelled on Android and as More on iOS, where tapAndHold also
makes the whole tile one button. On iOS the app behind a full-screen
player is hidden from VoiceOver, which walked the library behind the
picture.
- Double-tap the left or right third of the picture to seek ten seconds,
with a mark showing the seek happened; the middle plays or pauses.
- A wide picture turns the phone's player to landscape by itself, once
per episode, until the viewer uses the rotation button.
- Upright, the pickers past subtitles go behind a More menu instead of
running off the edge. Controls are 48dp on Android and 44pt on iOS.
- With TalkBack or VoiceOver on, the controls stay up: a control that
fades four seconds after it is reached cannot be found again. The tap
layer is announced as Show or Hide controls.
The bridge's open_stream started no fetch until mpv asked, so every
open was the head and then the tail, one after the other. It now warms
both edges as the desktop does, and the resume block too when the
episode resumes.
warm_episode fetches another episode's opening blocks into the cache
without playing it. Both phones call it for the next episode in the
last two minutes or once the credits start, as the desktop already
did, so autoplay starts from the cache.
Resuming loaded the file from the start and sought on FileLoaded. By
then mpv's demuxer had begun reading ahead from the beginning, so the
blocks the seek wanted queued behind ones fetched to be thrown away.
Player::play_from sets mpv's start option instead, and puts it back
once the file has loaded.
VideoStream::warm_resume fetches, beside the two edge blocks, the block
the resume position falls in, estimated from the running time saved
with the watch state. A video's bitrate is uneven, so it can land a
block off; then it is one block for nothing, against a round trip saved
when it lands.
Settings > Appearance offers 90% to 150%, applied as egui's zoom factor
so controls grow with the text. Ctrl+plus and Ctrl+minus already zoomed
through egui; what they settle on is now kept too, so Settings shows it
and the next launch opens at it. It lives in the desktop-only settings:
what reads well depends on the screen, not on the viewer's other
devices.
eframe now builds with its accesskit feature, so the widget tree reaches
the platform screen reader. Buttons drawn as an icon glyph were read as
the icon font's private code point, and the hand-painted ones (play,
poster tiles, the watched mark, download rings, the seek bar) as
nothing. A Named trait gives them a name, and hint() makes the existing
hover text that name.
A position save every five seconds marked the whole library view stale,
which re-grouped franchises, re-picked shelves and re-arranged the grid
on every save. Only the history and Continue watching lists move then,
unless the grid itself is filtered or sorted by watching.
ShareStore::rename changes only the name; the id that the catalog, watch
state and offline files are keyed by stays the same. Sync carries the
change as it does any other change to the share's register. The desktop
renames in the share's row. The phones rename from the share's menu.
Before, the name given at add time was permanent short of removing the
share.
- A finished download row on the phones plays when tapped and has an
Open button for its title, as the desktop's does.
- iOS queued downloads say "Waiting for Wi-Fi" or "Waiting for a
connection", as Android's already do.
- Android download workers post their notifications as one group, each
named for its episode, under a "Downloading 12 episodes" summary.
Before, a season made fourteen loose notifications that all said
"Making episode available offline".
nvrl
rahab.mathieu