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3 Commits
Author SHA1 Message Date
nvrl f36ff0780c feat: add Anvil sub anchor and Crucible resampler
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Two new CLAP effects aimed at riddim and dubstep production, plus shared
crates so all four plugins keep one look and reuse DSP.

Anvil 0.1.0 (io.storyboard.sub-anchor):
- Replaces the band below Split with a clean mono sine. Every note gets
  the same peak level and restarts at the same phase, so switch-ups keep
  their weight and kick hits line up.
- Pitch and note starts come from the audio (YIN, 80 ms lookahead
  reported to the host) or from MIDI notes sent to the effect.
- Dynamics, Drive, Octave, Glide, Phase, Gate and Keep; Solo sub monitor,
  note readout, level meters and a low-band oscilloscope.

Crucible 0.1.0 (io.storyboard.resampler):
- Records its input continuously in a lock-free ring with host transport
  markers. Capture takes the newest 1-16 complete bars on the bar grid,
  following tempo changes, or the newest audio when stopped.
- Grid (straight and triplet) or transient slicing, manual cuts, slice
  audition without audio-thread allocation.
- Export writes the loop, trimmed, declicked and normalised slices named
  and tagged with their root note, and an optional 2048-sample wavetable
  for Serum and Vital.

Shared:
- common-ui holds the palette, fonts, knobs and panels taken from Patina;
  Patina renders identically. Rotary knobs at their minimum no longer
  tessellate a zero-length arc into NaN vertices.
- common-dsp holds biquads, a Linkwitz-Riley crossover, YIN, note helpers
  and a float WAV writer with sampler root and Serum frame chunks.
- Catalog, CI matrix, release tags, editor previews and docs cover both
  plugins; a script test keeps the catalog and workflows in step.
2026-11-06 03:22:00 +01:00
nvrl 17c6fe3ab9 feat(patina): rebuild resonance detector, simplify controls, new look
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Patina 0.2.0. The old detector compared raw FFT bins with a one-octave
dB mean, so every harmonic of a tonal sound looked like a resonance and
real harsh bumps were barely touched. The new detector:

- averages power over each log band and smooths it over time
- joins harmonic tops into an envelope, smoothed by Sharpness
- compares it with a robust, tilt-aware local line fit that ignores
  empty regions and cannot be lifted by the bump itself

Six overlapping controls become Depth, Sharpness and Selectivity; focus
points now read "up cuts more, down protects". The analysis window is
halved to 2048 samples (about 43 ms delay). Behaviour tests cover plain
harmonic tones, resonant bumps, narrow rings, level independence,
flicker on noise and high sample rates.

Both editors get a dark metallic look with #FF0160 as the single
accent colour; screenshots and docs are updated. Projects saved with
Patina 0.1 load the new controls at their defaults.
2026-11-06 01:38:17 +01:00
nvrl 15853e61ac restructure
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2026-11-05 23:58:00 +01:00