chore: release Anvil 0.3.0, Weld 0.3.0 and Braze 0.1.0

- Anvil 0.3.0: Ghost harmonics, Phone listen, Kick lock and the offset
  audition. Anvil now has a Kick sidechain input.
- Weld 0.3.0: delay spread display.
- Braze 0.1.0: first release.
- Mark the released items in docs/ideas.md and add Braze to the release
  table.

docs/anvil/CHANGELOG.md

@@ -1,6 +1,6 @@
 # Anvil changelog
 
-## Unreleased
+## 0.3.0
 
 - Add Ghost harmonics: **Ghost** and **Ghost from** add the sub's harmonics 2–10
   above a chosen frequency, so phones hear the note. Anvil measures the patch's own

docs/anvil/README.md

@@ -1,6 +1,6 @@
 # Anvil
 
-Anvil gives every bass note the same solid sub. Current version **0.2.0**.
+Anvil gives every bass note the same solid sub. Current version **0.3.0**.
 
 In riddim and dubstep, each switch-up patch brings its own sub: a different level,
 a different phase, sometimes two layers that cancel. The drop's weight jumps from

docs/braze/CHANGELOG.md

@@ -1,6 +1,6 @@
 # Braze changelog
 
-## Unreleased (0.1.0)
+## 0.1.0
 
 - Introduce Braze, a detuned copy of the bass whose beating stays on the tempo
   grid on every note.

docs/braze/README.md

@@ -1,7 +1,6 @@
 # Braze
 
-Braze makes a reese's movement play in time. Current version **0.1.0**
-(unreleased).
+Braze makes a reese's movement play in time. Current version **0.1.0**.
 
 Two layers detuned against each other beat: harmonic k of a note at f0 swells
 and fades k·f0·(r − 1) times per second, where r is the detune ratio. With a

docs/ideas.md

@@ -123,7 +123,7 @@ it goes in the suite. They are starting points to test by ear, not rules.
   500 Hz and 4 kHz, listeners hear a group-delay peak from about 0.64 ms
   (positive) or 0.56 ms (negative) on clicks over headphones; a fast-decaying
   hi-hat hides it. Weld's allpass sections add positive group delay there.
-  Done: Weld shows the delay spread (unreleased). Measured: common fits from
+  Done: Weld shows the delay spread (released in 0.3.0). Measured: common fits from
   Weld's own tests spread 0.82–1.03 ms, above the click threshold, so the
   display gives a note, not a warning.
 - **Timbral tension.** Farbood and Price (2017): more roughness, inharmonicity
@@ -212,7 +212,7 @@ one period of the note, so heavy settings do not ripple at f0. See [Planish](pla
 
 ## Next for released plugins
 
-- **Anvil**: *Kick lock* and the *offset audition* are done (unreleased, see
+- **Anvil**: *Kick lock* and the *offset audition* are done (Anvil 0.3.0, see
   [Anvil](anvil/README.md)): the kick through the sidechain ducks the sub and
   restarts its phase at an offset (problem 6); the audition steps −30 to +30 ms,
   4 kicks each, Keep takes the offset heard, and the low-band sum per offset is
@@ -223,7 +223,7 @@ one period of the note, so heavy settings do not ripple at f0. See [Planish](pla
   sensitivity for kicks with long tails or a kick bus with other drums.
   A sub shape from sine to rounded
   triangle. A note attack counted in cycles. *Ghost harmonics* and the
-  *Phone* listen are done (unreleased, see [Anvil](anvil/README.md)): harmonics
+  *Phone* listen are done (Anvil 0.3.0, see [Anvil](anvil/README.md)): harmonics
   2–10 above a "from" frequency, filled only where the patch lacks them, with
   the sub level unchanged (problem 19). Open for Ghost: weights that follow the
   patch's own harmonic slope instead of a fixed 1/k; measuring a new note's
@@ -236,9 +236,9 @@ one period of the note, so heavy settings do not ripple at f0. See [Planish](pla
   one Push band. A bias that changes per cycle from Knurl's cycle clock.
 - **Knurl**: velocity or note selects the pattern. Stereo grit above a split
   only. Drift (planned for 0.3).
-- **Patina**: Tone guard (done, unreleased). MIDI as its pitch source. M/S
+- **Patina**: Tone guard (done, Patina 0.4.0). MIDI as its pitch source. M/S
   processing.
-- **Weld**: delay spread display (done, unreleased). A *gentle* fit option
+- **Weld**: delay spread display (done, Weld 0.3.0). A *gentle* fit option
   that keeps the delay spread under a limit, for plucky layers. Alignment slots
   per note or per switch-up. The External
   sender/receiver fallback if FL's sidechain does not arrive.
@@ -266,10 +266,10 @@ one period of the note, so heavy settings do not ripple at f0. See [Planish](pla
 3. Planish (done, released 0.1.0), then Quench and Ballast: they fill the mix
    and master gap.
    - In parallel, from the research findings, in this order: Weld delay
-     spread (done, unreleased); the fatness lane, as the first Assay piece
+     spread (done, Weld 0.3.0); the fatness lane, as the first Assay piece
      (prototype `scripts/fatness.py`); Anvil Ghost harmonics and Phone listen
-     (done, unreleased); Braze (done, unreleased); Anvil Kick lock with offset
-     audition (done, unreleased).
+     (done, Anvil 0.3.0); Braze (done, 0.1.0); Anvil Kick lock with offset
+     audition (done, Anvil 0.3.0).
 4. Forge, when enough modules exist.
 5. Assay, one plugin for the display-only ideas.
 6. Texture plugins (Anneal, Swarf, Etch, Bellows) and the note-keyed sequencer.
@@ -302,7 +302,7 @@ beats at the same rate. Controls: rate (synced), target harmonic, depth,
 spread across harmonics, mode. It reuses the tracker, and Weld should not
 "fix" this beating: put Weld before Braze.
 
-Built (unreleased 0.1.0, see [Braze](braze/README.md)). The detune is a delay
+Built (released 0.1.0, see [Braze](braze/README.md)). The detune is a delay
 line whose delay falls one period per beat cycle and jumps back one period,
 which is seamless on a periodic note, and the delay follows the host's beat
 position, so the peaks land on the grid. Harmonic n then beats at n/k · B: every

docs/releases.md

@@ -9,13 +9,14 @@ workflows are in `.gitea/workflows/`. A plugin's version is the `version` in
 | --- | --- | --- |
 | Rivet | `rivet-v0.5.0` | `rivet-windows-x86_64-0.5.0.zip` |
 | Patina | `patina-v0.4.0` | `patina-windows-x86_64-0.4.0.zip` |
-| Anvil | `anvil-v0.2.0` | `anvil-windows-x86_64-0.2.0.zip` |
+| Anvil | `anvil-v0.3.0` | `anvil-windows-x86_64-0.3.0.zip` |
 | Crucible | `crucible-v0.3.0` | `crucible-windows-x86_64-0.3.0.zip` |
 | Lathe | `lathe-v0.2.0` | `lathe-windows-x86_64-0.2.0.zip` |
 | Temper | `temper-v0.2.0` | `temper-windows-x86_64-0.2.0.zip` |
-| Weld | `weld-v0.2.0` | `weld-windows-x86_64-0.2.0.zip` |
+| Weld | `weld-v0.3.0` | `weld-windows-x86_64-0.3.0.zip` |
 | Knurl | `knurl-v0.2.0` | `knurl-windows-x86_64-0.2.0.zip` |
 | Planish | `planish-v0.1.0` | `planish-windows-x86_64-0.1.0.zip` |
+| Braze | `braze-v0.1.0` | `braze-windows-x86_64-0.1.0.zip` |
 
 ## Make a release
 

docs/weld/CHANGELOG.md

@@ -1,6 +1,6 @@
 # Weld changelog
 
-## Unreleased
+## 0.3.0
 
 - Show the **delay spread**: how much the alignment's group delay changes
   between 500 Hz and 4 kHz, where listeners hear it best. Above 0.64 ms (the

docs/weld/README.md

@@ -1,7 +1,7 @@
 # Weld
 
 Weld fuses two bass layers so they add up instead of cancelling. Current version
-**0.2.0**.
+**0.3.0**.
 
 Bass patches are layered: a sub, one or more mid growls, a top. Where the layers
 overlap in the mids, they partly cancel. The causes are a polarity difference, a

plugins/anvil/plugin/Cargo.lock

@@ -72,7 +72,7 @@ checksum = "fc7eb209b1518d6bb87b283c20095f5228ecda460da70b44f0802523dea6da04"
 
 [[package]]
 name = "anvil"
-version = "0.2.0"
+version = "0.3.0"
 dependencies = [
  "anvil-core",
  "anvil-ui",

plugins/anvil/plugin/Cargo.toml

@@ -1,6 +1,6 @@
 [package]
 name = "anvil"
-version = "0.2.0"
+version = "0.3.0"
 edition = "2021"
 license = "ISC"
 

plugins/weld/plugin/Cargo.lock

@@ -2056,7 +2056,7 @@ dependencies = [
 
 [[package]]
 name = "weld"
-version = "0.2.0"
+version = "0.3.0"
 dependencies = [
  "clap-sys",
  "crossbeam-queue",

plugins/weld/plugin/Cargo.toml

@@ -1,6 +1,6 @@
 [package]
 name = "weld"
-version = "0.2.0"
+version = "0.3.0"
 edition = "2021"
 license = "ISC"