Popouts anchored to their trigger item, and Quickshell maps an anchor
rect given in item coordinates through the item's transform. Rail icons
scale to 1.08 on hover, so a panel placed ~360px left of the icon landed
up to ~29px further left still, leaving a strip of desktop between it and
the rail — by however far the hover scale had got when the dwell timer
fired, which is why it only happened sometimes.
Anchor to the trigger window's content item instead, which never
transforms, and place in window coordinates from the trigger's centre,
which a scale about the centre leaves where it is.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Hover panels used to float a gap away from their trigger as free-standing
cards. They are now part of the hull: flush against the frame edge they
open from, painted in the hull colour, joined to it through concave
fillets, with the porthole rim carried round their open side, and they
slide out from behind the frame instead of fading and scaling in.
Popout places itself rather than relying on the compositor's slide
adjustment. A panel is centred on its trigger and, if that lands it near
one of the opening's corners, docked into the corner — attached to the
bar and the rail at once — so it never leaves a thin strip of opening
between itself and the rail. The calendar, network and audio panels dock
top-right; notifications dock bottom-right.
PopoutSurface leaves fill, border and corner ticks to the hull when it is
inside a Popout, and keeps them in the launcher and the ask panel. Its
attached fill opacity is 0 rather than a transparent colour, because
P5Panel re-applies fillOpacity to the colour and turned "transparent"
into 97% black.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Replaces the Persona x Mocha rice. NieR's menu language is kept whole —
plain rectangles, hairline rules, letter-spaced upright capitals, a square
marker on the current row, corner ticks round panels, and selection shown
by inverting the row — but the colours come from ~/.wallpapers/space-1.jpg
rather than from the game's beige: the grey-green void as the ground, the
suit's sage grey as text, the planet's white as the one accent, and the
hull's red indicator lights as the alarm.
The Persona geometry is switched off rather than ripped out: Theme.skew
and Theme.cut are 0, so P5Panel, Skew and Geom collapse to rectangles.
Overshoot easing, italics and black weights are gone shell-wide.
New, borrowed from caelestia's screen border: bar/Frame.qml draws the bar,
the rail and a thin left/bottom band as one hull on the bottom layer, with
the desktop as a rounded opening cut out of it. Frame also owns all four
exclusive zones, so the bar and rail are placed from the screen edge.
Hyprland moves to 1px borders lit from the planet white into grey, a soft
wide shadow and gaps measured from the opening. Alacritty, fish and dunst
get matching YoRHa palettes. Neovim, GTK/Qt and btop are still Mocha.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Keeps the Takemi geometry — the lean, the chamfer, the slabs — and swaps
the palette wholesale. Mocha carries the ground; blue is the accent for
anything live (focus, selection, borders, hover) and pink is the alarm
for anything destructive or failed, so one hue no longer has to mean
both 'active' and 'wrong'.
Destructive controls rest as a pink keyline and fill solid only when
hovered or selected: Mocha's pink is a pastel, and a resting slab of it
reads as washed-out red rather than as a warning. The load ramp climbs
text -> blue -> pink for the same reason, instead of fading straight
through a muddy mid-tone.
Surfaces covered: quickshell, Hyprland borders, alacritty, fish, dunst,
and nvim (via the catppuccin plugin, submodule branch catppuccin-mocha).
GTK 3/4, Qt and xsettingsd move to catppuccin-mocha-blue and are now
tracked, since nothing else makes non-shell apps match the rice; the
previous Takemi copies are in theme-repair-backups/.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
nvrlandClaude Opus 5.5