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Patina 0.2.0. The old detector compared raw FFT bins with a one-octave dB mean, so every harmonic of a tonal sound looked like a resonance and real harsh bumps were barely touched. The new detector: - averages power over each log band and smooths it over time - joins harmonic tops into an envelope, smoothed by Sharpness - compares it with a robust, tilt-aware local line fit that ignores empty regions and cannot be lifted by the bump itself Six overlapping controls become Depth, Sharpness and Selectivity; focus points now read "up cuts more, down protects". The analysis window is halved to 2048 samples (about 43 ms delay). Behaviour tests cover plain harmonic tones, resonant bumps, narrow rings, level independence, flicker on noise and high sample rates. Both editors get a dark metallic look with #FF0160 as the single accent colour; screenshots and docs are updated. Projects saved with Patina 0.1 load the new controls at their defaults.
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Patina changelog
0.2.0
- Rebuild the detector so it finds resonant bumps instead of cutting individual harmonics: band-averaged power, temporal smoothing, a harmonic-top envelope, and a robust tilt-aware reference.
- Replace six overlapping controls with Depth, Sharpness, and Selectivity. Focus points now read the same way everywhere: up cuts more, down protects.
- Halve the analysis window to 2048 samples at 44.1/48 kHz (about 43 ms delay).
- Show the detector envelope and reference on the plot.
- New dark metallic look with a single accent colour, shared with Rivet.
- Breaking: projects saved with 0.1 load the new controls at their defaults.
0.1.0
- Introduce Patina, formerly Resonance Compressor, as an independent mixing effect.
- Control spectral prominence with bounded reduction, timing, and transient guard.
- Shape focus/protect regions and compare aligned Delta, Mix, Bypass, and A/B.
- Add the dark native engineer panel with cyan, coral, and violet spectrum layers.
- Preserve the original CLAP identity and parameter IDs.
- Provide independent Windows release packages.