nvrl
c06d193b18
Upward and downward compression in four bands whose edges are harmonic numbers of the tracked note (default 1, 2-4, 5-16, 17 and up), so the same setting squashes the same harmonics on every note. A fixed-band OTT puts harmonic 2 of F1 and of C2 in different bands. - Three Linkwitz-Riley splits at sqrt(k(k+1)) x f0 with allpass compensation; at Depth 0 the bands sum within 0.05 dB. - Band level is the RMS over one period of the note, so heavy settings do not ripple at f0: a 40 Hz sine at Drive +12 dB, Time 10 % gets no harmonics above -110 dB. - At Depth 100 % on a saw, harmonics 1-12 change by the same amount on F1, C2 and G2 (within 0.2 dB). - Depth, Drive (on the detector only), Upward, Downward, Time, a gain per band; edges Low 1-8, Mid 2-16, High 3-48 with four splits. - Pitch from audio with about 67 ms lookahead, or from MIDI. - Editor: harmonic ruler with draggable edges, level and gain per band. - Catalog, workflows, editor-check, docs, signal chain and site copy.
674 B
674 B
Planish changelog
0.1.0
- Introduce Planish, upward and downward compression in four bands whose edges are harmonic numbers of the played note.
- Band edges set by harmonic (Low 1–8, Mid 2–16, High 3–48), with splits Classic, Sub + body, Tight and Wide top, or dragged on the harmonic ruler.
- Depth, Drive, Upward, Downward, Time and a gain per band.
- Band level measured over one period of the note, so heavy compression does not ripple at the fundamental.
- Detect pitch and note starts from the audio with about 67 ms of latency, or follow MIDI notes sent to the effect.
- Editor shows the bands on a harmonic ruler and each band's level and gain.