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Two new CLAP effects aimed at riddim and dubstep production, plus shared crates so all four plugins keep one look and reuse DSP. Anvil 0.1.0 (io.storyboard.sub-anchor): - Replaces the band below Split with a clean mono sine. Every note gets the same peak level and restarts at the same phase, so switch-ups keep their weight and kick hits line up. - Pitch and note starts come from the audio (YIN, 80 ms lookahead reported to the host) or from MIDI notes sent to the effect. - Dynamics, Drive, Octave, Glide, Phase, Gate and Keep; Solo sub monitor, note readout, level meters and a low-band oscilloscope. Crucible 0.1.0 (io.storyboard.resampler): - Records its input continuously in a lock-free ring with host transport markers. Capture takes the newest 1-16 complete bars on the bar grid, following tempo changes, or the newest audio when stopped. - Grid (straight and triplet) or transient slicing, manual cuts, slice audition without audio-thread allocation. - Export writes the loop, trimmed, declicked and normalised slices named and tagged with their root note, and an optional 2048-sample wavetable for Serum and Vital. Shared: - common-ui holds the palette, fonts, knobs and panels taken from Patina; Patina renders identically. Rotary knobs at their minimum no longer tessellate a zero-length arc into NaN vertices. - common-dsp holds biquads, a Linkwitz-Riley crossover, YIN, note helpers and a float WAV writer with sampler root and Serum frame chunks. - Catalog, CI matrix, release tags, editor previews and docs cover both plugins; a script test keeps the catalog and workflows in step.
Crucible
Crucible melts the bars you just played into ready-to-use samples. Current version 0.1.0.
Resampling is the core loop of riddim sound design: bounce, open in Edison, chop, trim, declick, normalise, find the key, name, save, load into a sampler. Crucible does all of it from one button. It always records its input, so the take you liked is already there when you press Capture.
Install on Windows
Copy Crucible.clap into C:\Program Files\Common Files\CLAP\. In FL Studio
2024.1 or newer, open Options → Manage plugins, enable Verify plugins, and Find
installed plugins. Load Crucible in a mixer slot at the end of the chain you want
to resample. Keep the font license with redistributed packages.
Work with it
- Play the pattern or song section.
- Choose Bars (1–16) and press Capture. Crucible takes the newest complete bars on FL's bar grid. With the transport stopped, it takes the newest audio at the last known tempo instead.
- Choose how to slice: Grid (1/4, 1/8, 1/16, 1/8T, 1/16T) or Transients with a Sensitivity. Double-click the waveform to add a cut, right-click to remove the nearest one.
- Click a slice to hear it. Untick Export to leave it out.
- Press Export.
Each export creates a folder named after the date, time and tempo, holding:
loop.wav: the whole take, for Slicex or Edison;s01_F1.wav,s02_G#1.wav, …: one file per slice, named by its detected root note. The root is also stored in the file's sampler chunk;wavetable.wavwhen Wavetable is on: up to 256 single-cycle frames of 2048 samples from the selected slice. Each frame starts on a rising zero crossing, so frames morph without phase jumps. Serum reads the frame size from the file; in Vital, import it as a wavetable with 2048-sample frames.
Every slice is cleaned on export: Trim silence removes leading silence below −60 dBFS, Declick fades both ends (default 2 ms), Normalize peaks it at −0.3 dBFS. Files are 32-bit float WAV at the session rate.
Add the export folder to FL's browser once (Options → File settings → Browser extra search folders). New exports then appear there and can be dragged into channels, the playlist or Edison. Open folder shows the latest export in Explorer.
Timing and limits
Crucible adds no latency and passes audio through untouched. Auditioned slices are mixed into its output only while they play. The history holds 72 s, enough for 16 bars at 60 BPM. The newest eight takes stay in memory until the plugin is removed; they are not saved with the project, so export what you want to keep.
Bar alignment follows the host's song position and time signature. Root notes are detected between 35 Hz and 1 kHz. Unpitched slices, such as drums or noise, get no note in their name. Transient slicing finds hits that rise out of quieter audio; for legato basses, slice on the grid.