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- Crucible 0.3.0: Keep takes. - Patina 0.4.0: Tone guard and the Bass line preset. - Planish 0.1.0 is already at its first version. - Update the current version in every plugin guide; several still named an older release.
1.8 KiB
1.8 KiB
Patina changelog
0.4.0
- Add Tone guard (0–100 %, default 0 %). Patina follows the played note and remembers, over about four seconds, which bumps stay in Hz and which follow the note. Bumps that follow the note (a harmonic the bass is built on) are cut less; resonances fixed in Hz (formant, comb and filter rings) are still cut. At 0 % Patina works exactly as before. The display shows the note and marks the held-back region with a blue strip.
- Add the Bass line preset (Tone guard 80 %, Low 150 Hz).
0.3.0
- Change the CLAP ID to
io.narl.bass-foundry.patina. Hosts see this as a new plugin: delete the old.clapfile, rescan, and add the plugin again in existing projects.
0.2.0
- Rebuild the detector so it finds resonant bumps instead of cutting individual harmonics: band-averaged power, temporal smoothing, a harmonic-top envelope, and a robust tilt-aware reference.
- Replace six overlapping controls with Depth, Sharpness, and Selectivity. Focus points now read the same way everywhere: up cuts more, down protects.
- Halve the analysis window to 2048 samples at 44.1/48 kHz (about 43 ms delay).
- Show the detector envelope and reference on the plot.
- New dark metallic look with a single accent colour, shared with Rivet.
- Breaking: projects saved with 0.1 load the new controls at their defaults.
0.1.0
- Introduce Patina, formerly Resonance Compressor, as an independent mixing effect.
- Control spectral prominence with bounded reduction, timing, and transient guard.
- Shape focus/protect regions and compare aligned Delta, Mix, Bypass, and A/B.
- Add the dark native engineer panel with cyan, coral, and violet spectrum layers.
- Preserve the original CLAP identity and parameter IDs.
- Provide independent Windows release packages.