9 Commits

Include renames

Author	SHA1	Message	Date
nvrl	330ec54150	feat(braze): add Braze tempo-locked beating ... Adds a detuned copy of the bass whose beating stays on the tempo grid on every note. The chosen harmonic k beats once per Rate note value, and harmonic n beats n/k times as fast, so every harmonic is on the grid. - The copy is read from a delay line whose delay falls one period of the tracked note per beat cycle (r = 1 + B/(k f0)) and jumps back exactly one period, crossfaded over 6 ms. On a periodic note the jump has no seam: the output matches the ideal sum within 0.003 on harmonics 1-4. - The delay follows the host's beat position, shifted by the lookahead, so beat peaks land on the grid; free-running when stopped. - Low cut: LR4 high-pass on the copy, the bass split by the same crossover, so the sub does not beat and keeps its level. - Depth, Width, Phase, Gate, Output, Snap, Bypass. Pitch from audio (about 67 ms lookahead) or MIDI. - Editor: one bar of the beat per harmonic with the grid and a playhead. - Catalog, workflows, editor-check, docs, signal chain and site copy.	2026-11-06 14:02:58 +01:00
nvrl	c06d193b18	feat(planish): add Planish harmonic OTT ... Upward and downward compression in four bands whose edges are harmonic numbers of the tracked note (default 1, 2-4, 5-16, 17 and up), so the same setting squashes the same harmonics on every note. A fixed-band OTT puts harmonic 2 of F1 and of C2 in different bands. - Three Linkwitz-Riley splits at sqrt(k(k+1)) x f0 with allpass compensation; at Depth 0 the bands sum within 0.05 dB. - Band level is the RMS over one period of the note, so heavy settings do not ripple at f0: a 40 Hz sine at Drive +12 dB, Time 10 % gets no harmonics above -110 dB. - At Depth 100 % on a saw, harmonics 1-12 change by the same amount on F1, C2 and G2 (within 0.2 dB). - Depth, Drive (on the detector only), Upward, Downward, Time, a gain per band; edges Low 1-8, Mid 2-16, High 3-48 with four splits. - Pitch from audio with about 67 ms lookahead, or from MIDI. - Editor: harmonic ruler with draggable edges, level and gain per band. - Catalog, workflows, editor-check, docs, signal chain and site copy.	2026-11-06 12:51:49 +01:00
nvrl	53bc26d14d	feat(patina): Tone guard for bass lines ... Patina detects the played note (30-500 Hz) and remembers, over about 4 s, how high each spectral bump is at a fixed frequency and relative to the note. Bumps that follow the note (a boosted harmonic the patch is built on) get less cut; bumps fixed in Hz (formants, room modes) are cut as before. On a saw line F1-F2 with harmonic 6 boosted, the cut on that harmonic drops from 5.78 dB to 0.44 dB at 100 %, while a fixed formant at 1.5 kHz stays at 5.78 dB. One held note is cut as normal, since the two cases cannot be told apart. - New parameter tone-guard (0-100 %, default 0), appended at the end; 0 % is the old behaviour and old settings load unchanged. - New Bass line preset. - Editor: Tone guard control, NOTE readout and a strip over the spectrum where cuts are held back. - No added latency, no allocation on the audio thread; patina-core now depends on common-dsp.	2026-11-06 12:24:11 +01:00
nvrl	444b9d93da	feat!: change CLAP IDs to io.narl.bass-foundry.<product>, release all plugins ... The io.storyboard.* IDs were a leftover from Motif Storyboard and named old functions (motif, sub-anchor, layer-align) instead of the products. Every plugin now uses io.narl.bass-foundry.<product>, and IDs are frozen from here on, even across renames. Hosts see the new IDs as different plugins: delete the old .clap files, rescan, and add the plugins again in existing projects. Rivet session JSON and Patina parameter IDs are unchanged. - Rivet 0.5.0, Patina 0.3.0; Anvil, Crucible, Lathe, Temper, Weld and Knurl 0.2.0. - Docs, changelogs and the release table describe the change. - Website: upgrade note in the Install section.	2026-11-06 11:51:11 +01:00
nvrl	5cc3770737	feat(knurl): add Knurl cycle texture ... Knurl follows the played note and treats every cycle of the wave on its own: a repeating level pattern over 1-16 cycles makes subharmonics in tune with every note, random level and timing per cycle add rattle, and a noise burst per cycle, highpassed at a multiple of f0, adds grit. Amounts are counted in cycles, so the texture is the same on F1 and on C2. - Cycle clock from the shared note tracker, restarted at each note; the audio is delayed by the lookahead plus 4.2 ms of timing-jitter headroom. - Per-cycle randomness from a hash of the cycle number: Same every note or Free. - Patterns Off, Double, Triple, Fry (default), Gallop, Stutter or drawn; grit switchable per step. Pattern persisted as knurl-pattern. - Editor: last eight cycles overlaid, pattern bars with the playing step. - Tests match the prototype: Double gives f0/2 at -8.19 dB, Triple f0/3 at -10.68 dB, equal on F1 and C2, no added clicks, bit-exact when off, no allocation on the audio thread.	2026-11-06 08:49:11 +01:00
nvrl	e3286f9094	feat(weld): add sidechain test build ... Weld will phase-align a bass layer to another layer it hears through the sidechain. This first build only checks that FL Studio delivers the sidechain to a CLAP aux port: it passes the main layer through unchanged, meters the sidechain and offers Layer/Sum/Sum dry listening. No latency.	2026-11-06 07:53:20 +01:00
nvrl	b3ebe4d952	feat: add Lathe harmonic EQ and Temper tracked distortion ... Lathe places EQ bands on harmonics 1-32 of the played note, so a cut on harmonic 3 stays on harmonic 3 on every note. Temper normalises each note's level before an oversampled shaper and tunes its floor, push and bright filters to the note, so every note distorts the same. The note tracker moves from Anvil into common-dsp, together with a state-variable filter, 4x oversampler and harmonic meter. Anvil's behaviour and editor render are unchanged. docs/ideas.md collects all plugin ideas and their status.	2026-11-06 06:08:51 +01:00
nvrl	f36ff0780c	feat: add Anvil sub anchor and Crucible resampler ... Two new CLAP effects aimed at riddim and dubstep production, plus shared crates so all four plugins keep one look and reuse DSP. Anvil 0.1.0 (io.storyboard.sub-anchor): - Replaces the band below Split with a clean mono sine. Every note gets the same peak level and restarts at the same phase, so switch-ups keep their weight and kick hits line up. - Pitch and note starts come from the audio (YIN, 80 ms lookahead reported to the host) or from MIDI notes sent to the effect. - Dynamics, Drive, Octave, Glide, Phase, Gate and Keep; Solo sub monitor, note readout, level meters and a low-band oscilloscope. Crucible 0.1.0 (io.storyboard.resampler): - Records its input continuously in a lock-free ring with host transport markers. Capture takes the newest 1-16 complete bars on the bar grid, following tempo changes, or the newest audio when stopped. - Grid (straight and triplet) or transient slicing, manual cuts, slice audition without audio-thread allocation. - Export writes the loop, trimmed, declicked and normalised slices named and tagged with their root note, and an optional 2048-sample wavetable for Serum and Vital. Shared: - common-ui holds the palette, fonts, knobs and panels taken from Patina; Patina renders identically. Rotary knobs at their minimum no longer tessellate a zero-length arc into NaN vertices. - common-dsp holds biquads, a Linkwitz-Riley crossover, YIN, note helpers and a float WAV writer with sampler root and Serum frame chunks. - Catalog, CI matrix, release tags, editor previews and docs cover both plugins; a script test keeps the catalog and workflows in step.	2026-11-06 03:22:00 +01:00
nvrl	15853e61ac	restructure	2026-11-05 23:58:00 +01:00