feat: add Anvil sub anchor and Crucible resampler

Two new CLAP effects aimed at riddim and dubstep production, plus shared
crates so all four plugins keep one look and reuse DSP.

Anvil 0.1.0 (io.storyboard.sub-anchor):
- Replaces the band below Split with a clean mono sine. Every note gets
  the same peak level and restarts at the same phase, so switch-ups keep
  their weight and kick hits line up.
- Pitch and note starts come from the audio (YIN, 80 ms lookahead
  reported to the host) or from MIDI notes sent to the effect.
- Dynamics, Drive, Octave, Glide, Phase, Gate and Keep; Solo sub monitor,
  note readout, level meters and a low-band oscilloscope.

Crucible 0.1.0 (io.storyboard.resampler):
- Records its input continuously in a lock-free ring with host transport
  markers. Capture takes the newest 1-16 complete bars on the bar grid,
  following tempo changes, or the newest audio when stopped.
- Grid (straight and triplet) or transient slicing, manual cuts, slice
  audition without audio-thread allocation.
- Export writes the loop, trimmed, declicked and normalised slices named
  and tagged with their root note, and an optional 2048-sample wavetable
  for Serum and Vital.

Shared:
- common-ui holds the palette, fonts, knobs and panels taken from Patina;
  Patina renders identically. Rotary knobs at their minimum no longer
  tessellate a zero-length arc into NaN vertices.
- common-dsp holds biquads, a Linkwitz-Riley crossover, YIN, note helpers
  and a float WAV writer with sampler root and Serum frame chunks.
- Catalog, CI matrix, release tags, editor previews and docs cover both
  plugins; a script test keeps the catalog and workflows in step.

docs/anvil/CHANGELOG.md

@@ -0,0 +1,13 @@
+# Anvil changelog
+
+## 0.1.0
+
+- Introduce Anvil, a sub anchor for bass music.
+- Replace the band below Split with a clean mono sine. Every note gets the same
+  peak level and starts at the same phase, so switch-ups and kick hits line up.
+- Detect pitch and note starts from the audio with 80 ms lookahead, or follow
+  MIDI notes sent to the effect.
+- Controls: Sub level, Split, Dynamics, Drive, Octave, Glide, Phase, Gate, Keep,
+  Output, Retrigger, Snap to semitone, Bypass. Solo sub monitors only the new sub.
+- Note readout, level meters and an oscilloscope of the original low band against
+  the new sub.

docs/anvil/README.md

@@ -0,0 +1,62 @@
+# Anvil
+
+Anvil gives every bass note the same solid sub. Current version **0.1.0**.
+
+In riddim and dubstep, each switch-up patch brings its own sub: a different level,
+a different phase, sometimes two layers that cancel. The drop's weight jumps from
+note to note and the kick lands differently on each one. Anvil removes the
+original band below **Split** and puts a clean mono sine in its place. The sine
+follows the bass pitch, has the same peak level on every note, and starts at the
+same phase on every note.
+
+![Anvil](assets/editor.png)
+
+## Install on Windows
+
+Copy `Anvil.clap` into `C:\Program Files\Common Files\CLAP\`. In FL Studio 2024.1
+or newer, open Options → Manage plugins, enable Verify plugins, and Find installed
+plugins. Load Anvil in the mixer slot of the bass bus. Keep the font license with
+redistributed packages.
+
+## Work with it
+
+1. Put Anvil on the bass bus, after the sound design and before the bus
+   compression or clipping.
+2. Set **Split** just above the sub. 80–100 Hz suits most riddim basses.
+3. Set **Sub level** once. Every patch on the bus now gets this level.
+4. Use **Phase** to line the start of each note up with your kick. With
+   **Retrigger** on, every note starts at this phase.
+5. Turn on **Solo sub** to hear only the new sub; the scope shows the original
+   low band (grey) against the new sub (accent).
+
+Other controls:
+
+- **Dynamics** at 0 % holds the level for the whole note. Raise it to let the sub
+  follow the original's volume shape, for example a wobble.
+- **Drive** adds upper harmonics so the sub reads on phones and laptops.
+- **Octave** moves the sub against the detected note. Use −1 for a bass played
+  one octave up.
+- **Glide** slides between overlapping notes; 0 jumps.
+- **Gate** is the input level that counts as a note. Raise it if tails or reverb
+  start new notes.
+- **Keep** blends some of the original low band back under the new sub.
+- **Snap to semitone** rounds detected pitch. Turn it off for pitch bends and slides.
+
+### Pitch from MIDI
+
+Detection follows the audio by default. For heavy formant or FM basses where the
+fundamental is unclear, select **MIDI** and route the bass's MIDI notes to Anvil.
+In FL Studio, set the bass channel's MIDI output port and Anvil's input port to the
+same number, or duplicate the notes into a pattern on a channel that feeds Anvil.
+
+## Timing and limits
+
+Detection uses 80 ms of lookahead, reported to the host for delay compensation,
+so each note's pitch is known before its attack leaves the plugin. Pitch range is
+25–250 Hz, one voice: chords and layered notes in the sub band are not separated.
+Notes shorter than about 15 ms may not be recognised. A pitch move of more than
+0.7 semitone that holds for two analysis hops (10 ms) starts a new note.
+
+The crossover is a 4th-order Linkwitz–Riley pair, so with Keep at 100 % and no
+note playing, the signal passes with flat magnitude. Stereo above the split is
+kept; the new sub is mono.

docs/crucible/CHANGELOG.md

@@ -0,0 +1,13 @@
+# Crucible changelog
+
+## 0.1.0
+
+- Introduce Crucible, a resampler that always records its input.
+- Capture the newest 1–16 complete bars on the host's bar grid, or the newest
+  audio when the transport is stopped. Tempo changes inside a take are followed.
+- Slice on a straight or triplet grid, or at transients. Add and remove cuts by
+  hand, include or exclude slices, and audition them in place.
+- Clean every slice: trim leading silence, fade both ends, normalise to −0.3 dBFS.
+  The root note of each pitched slice is detected and written into the file.
+- Export the loop, every slice, and optionally a 2048-sample wavetable for Serum
+  and Vital into a dated folder.

docs/crucible/README.md

@@ -0,0 +1,60 @@
+# Crucible
+
+Crucible melts the bars you just played into ready-to-use samples. Current version
+**0.1.0**.
+
+Resampling is the core loop of riddim sound design: bounce, open in Edison, chop,
+trim, declick, normalise, find the key, name, save, load into a sampler. Crucible
+does all of it from one button. It always records its input, so the take you
+liked is already there when you press **Capture**.
+
+![Crucible](assets/editor.png)
+
+## Install on Windows
+
+Copy `Crucible.clap` into `C:\Program Files\Common Files\CLAP\`. In FL Studio
+2024.1 or newer, open Options → Manage plugins, enable Verify plugins, and Find
+installed plugins. Load Crucible in a mixer slot at the end of the chain you want
+to resample. Keep the font license with redistributed packages.
+
+## Work with it
+
+1. Play the pattern or song section.
+2. Choose **Bars** (1–16) and press **Capture**. Crucible takes the newest complete
+   bars on FL's bar grid. With the transport stopped, it takes the newest audio at
+   the last known tempo instead.
+3. Choose how to slice: **Grid** (1/4, 1/8, 1/16, 1/8T, 1/16T) or **Transients**
+   with a Sensitivity. Double-click the waveform to add a cut, right-click to remove
+   the nearest one.
+4. Click a slice to hear it. Untick **Export** to leave it out.
+5. Press **Export**.
+
+Each export creates a folder named after the date, time and tempo, holding:
+
+- `loop.wav`: the whole take, for Slicex or Edison;
+- `s01_F1.wav`, `s02_G#1.wav`, …: one file per slice, named by its detected root
+  note. The root is also stored in the file's sampler chunk;
+- `wavetable.wav` when **Wavetable** is on: up to 256 single-cycle frames of 2048
+  samples from the selected slice. Each frame starts on a rising zero crossing, so
+  frames morph without phase jumps. Serum reads the frame size from the file; in
+  Vital, import it as a wavetable with 2048-sample frames.
+
+Every slice is cleaned on export: **Trim silence** removes leading silence below
+−60 dBFS, **Declick** fades both ends (default 2 ms), **Normalize** peaks it at
+−0.3 dBFS. Files are 32-bit float WAV at the session rate.
+
+Add the export folder to FL's browser once (Options → File settings → Browser extra
+search folders). New exports then appear there and can be dragged into channels,
+the playlist or Edison. **Open folder** shows the latest export in Explorer.
+
+## Timing and limits
+
+Crucible adds no latency and passes audio through untouched. Auditioned slices are
+mixed into its output only while they play. The history holds 72 s, enough for
+16 bars at 60 BPM. The newest eight takes stay in memory until the plugin is
+removed; they are not saved with the project, so export what you want to keep.
+
+Bar alignment follows the host's song position and time signature. Root notes are
+detected between 35 Hz and 1 kHz. Unpitched slices, such as drums or noise, get
+no note in their name. Transient slicing finds hits that rise out of quieter
+audio; for legato basses, slice on the grid.

docs/development.md

@@ -12,7 +12,9 @@ licenses. Shared build/check/release tools consume it. Each wrapper's Cargo
 package version is the authoritative release version.
 
 The root workspace contains Rivet's core, MIDI, application, and offline preview
-crates, plus Patina's core, editor, and renderer. Wrappers under
+crates; Patina's core, editor, and renderer; Anvil's and Crucible's core and
+editor crates; and the shared `common-ui` (palette, fonts, knobs, panels) and
+`common-dsp` (filters, YIN pitch detection, WAV files) crates. Wrappers under
 `plugins/<product>/plugin/` remain independent workspaces because they depend on
 a pinned NIH-plug Git revision. Their host identities and persistence stay separate.
 
@@ -23,6 +25,8 @@ cargo test --workspace --locked
 cargo clippy --workspace --all-targets --locked -- -D warnings
 python scripts/check-plugin.py --plugin rivet
 python scripts/check-plugin.py --plugin patina
+python scripts/check-plugin.py --plugin anvil
+python scripts/check-plugin.py --plugin crucible
 python -m unittest discover -s scripts/tests -v
 ```
 
@@ -43,12 +47,14 @@ install the Rust `x86_64-pc-windows-gnu` target and MinGW's
 ```sh
 python scripts/build-plugin.py --plugin rivet --target x86_64-pc-windows-gnu
 python scripts/build-plugin.py --plugin patina --target x86_64-pc-windows-gnu
+python scripts/build-plugin.py --plugin anvil --target x86_64-pc-windows-gnu
+python scripts/build-plugin.py --plugin crucible --target x86_64-pc-windows-gnu
 python scripts/package-windows.py
 python scripts/package-windows.py --plugin rivet
 python scripts/package-windows.py --plugin patina
 ```
 
-Build outputs use `dist/<target>/Rivet.clap` and `Patina.clap`, with docs and
+Build outputs use `dist/<target>/<Name>.clap`, with docs and
 licenses retaining their directory structure. `CARGO_TARGET_DIR` is supported
 for sharing compilation between wrappers. MSVC packaging accepts
 `--target x86_64-pc-windows-msvc`.
@@ -69,6 +75,8 @@ cargo run --manifest-path tools/editor-check/Cargo.toml -- /tmp/rivet.png --plug
 cargo run --manifest-path tools/editor-check/Cargo.toml -- /tmp/rivet-creative.png --plugin rivet --creative
 cargo run --manifest-path tools/editor-check/Cargo.toml -- /tmp/patina.png --plugin patina
 cargo run --manifest-path tools/editor-check/Cargo.toml -- /tmp/patina-compact.png --plugin patina --compact
+cargo run --manifest-path tools/editor-check/Cargo.toml -- /tmp/anvil.png --plugin anvil
+cargo run --manifest-path tools/editor-check/Cargo.toml -- /tmp/crucible.png --plugin crucible
 ```
 
 Patina also accepts `--silent`, `--delta`, and `--bypass` as render fixtures.
@@ -82,6 +90,8 @@ artistic quality. Use the product guides for FL Studio acceptance checks.
 | --- | --- | --- |
 | Rivet | Motif Storyboard | `io.storyboard.motif` |
 | Patina | Resonance Compressor | `io.storyboard.resonance-compressor` |
+| Anvil | (new) | `io.storyboard.sub-anchor` |
+| Crucible | (new) | `io.storyboard.resampler` |
 
 Rivet retains `story-session-v1` and its session migration support; Patina retains
 all parameter IDs. No JSON/state migration is introduced by the rename. These