diff --git a/docs/ballast/CHANGELOG.md b/docs/ballast/CHANGELOG.md index a046787..85dfdcd 100644 --- a/docs/ballast/CHANGELOG.md +++ b/docs/ballast/CHANGELOG.md @@ -1,6 +1,6 @@ # Ballast changelog -## Unreleased (0.1.0) +## 0.1.0 - Introduce Ballast, a switch-up leveller: every part of a bassline gets one gain that brings it to the Target loudness. No compression inside a part. diff --git a/docs/ballast/README.md b/docs/ballast/README.md index 243e3c9..1944c64 100644 --- a/docs/ballast/README.md +++ b/docs/ballast/README.md @@ -1,7 +1,7 @@ # Ballast Ballast levels every note or switch-up of a bassline to one loudness, with a -single gain for each. Current version **0.1.0** (unreleased). +single gain for each. Current version **0.1.0**. Riddim and dubstep basslines change patch every few beats. Patches at the same peak level still differ in how loud they sound, so each switch-up lands at a diff --git a/docs/ideas.md b/docs/ideas.md index fa4caf8..29b7a2f 100644 --- a/docs/ideas.md +++ b/docs/ideas.md @@ -264,7 +264,7 @@ one period of the note, so heavy settings do not ripple at f0. See [Planish](pla harmonic as hard (5.7 dB), at a position that moved with the note. Open: MIDI as the pitch source. 3. Planish (done, released 0.1.0), then Quench and Ballast (both done, - unreleased): they fill the mix and master gap. + released 0.1.0): they fill the mix and master gap. - In parallel, from the research findings, in this order: Weld delay spread (done, Weld 0.3.0); the fatness lane, as the first Assay piece (prototype `scripts/fatness.py`); Anvil Ghost harmonics and Phone listen @@ -328,7 +328,7 @@ Quenching hardens hot metal in one fast step. Quench clips only above a split frequency and adds the clean sub back with its own headroom, so the master can be clipped hard without distorting the low end. Pairs with Anvil's split. -Built (unreleased 0.1.0, see [Quench](quench/README.md)). Design checks, made +Built (released 0.1.0, see [Quench](quench/README.md)). Design checks, made in a prototype before the plugin: - Splitting and giving the top the instantaneous room, clamp(top, −C − sub, @@ -376,7 +376,7 @@ the same loudness without compression changing its character. Earlier working name: Hit Leveler. Pairs with Anvil: Anvil levels the sub, Ballast the whole patch. -Built (unreleased 0.1.0, see [Ballast](ballast/README.md)): one gain per part, +Built (released 0.1.0, see [Ballast](ballast/README.md)): one gain per part, parts from note starts or the host grid (a patch change on the same note is not a new note to the tracker), K-weighted loudness of the first 100 ms, Learn for the reference. Found while building it: diff --git a/docs/quench/CHANGELOG.md b/docs/quench/CHANGELOG.md index e1912e1..46705ff 100644 --- a/docs/quench/CHANGELOG.md +++ b/docs/quench/CHANGELOG.md @@ -1,6 +1,6 @@ # Quench changelog -## Unreleased (0.1.0) +## 0.1.0 - Introduce Quench, a clipper that clips the top and lets the sub pass clean. - A Linkwitz–Riley split at **Split** (40–300 Hz). The top is clipped at the diff --git a/docs/quench/README.md b/docs/quench/README.md index 88372fb..f5ae9d3 100644 --- a/docs/quench/README.md +++ b/docs/quench/README.md @@ -1,7 +1,7 @@ # Quench Quench clips the top of the mix as hard as you like and lets the sub pass clean. -Current version **0.1.0** (unreleased). +Current version **0.1.0**. Riddim and dubstep masters are clipped hard. A plain clipper clips the sum of the sub and everything above it. Near the sub's peaks only one side of the top diff --git a/docs/releases.md b/docs/releases.md index fba4d39..f2b7b3e 100644 --- a/docs/releases.md +++ b/docs/releases.md @@ -17,6 +17,8 @@ workflows are in `.gitea/workflows/`. A plugin's version is the `version` in | Knurl | `knurl-v0.2.0` | `knurl-windows-x86_64-0.2.0.zip` | | Planish | `planish-v0.1.0` | `planish-windows-x86_64-0.1.0.zip` | | Braze | `braze-v0.1.0` | `braze-windows-x86_64-0.1.0.zip` | +| Quench | `quench-v0.1.0` | `quench-windows-x86_64-0.1.0.zip` | +| Ballast | `ballast-v0.1.0` | `ballast-windows-x86_64-0.1.0.zip` | ## Make a release